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[1]兰 浩.林语堂书法美学思想评析[J].内江师范学院学报(社会科学),2014,9:118-121.
 LAN Hao.On Synchronic Principle of Chinese Calligraphic Aesthetics: An Analysis of LIN Yu-tang's Aesthetic Thoughts concerning Chinese Calligraphy[J].,2014,9:118-121.
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林语堂书法美学思想评析(PDF)

《内江师范学院学报(社会科学)》[ISSN:1006-6977/CN:61-1281/TN]

期数:
2014年第9期
页码:
118-121
栏目:
出版日期:
2014-09-01

文章信息/Info

Title:
On Synchronic Principle of Chinese Calligraphic Aesthetics: An Analysis of LIN Yu-tang's Aesthetic Thoughts concerning Chinese Calligraphy
文章编号:
1671-1785(2014)09-0118-04
作者:
兰 浩
宁德师范学院 艺术系, 福建 宁德 352100
Author(s):
LAN Hao
Art Department, Ningde Normal University, Ningde, Fujian, 352100, China
关键词:
林语堂 书法美学 气韵 性灵 韵律 自然
Keywords:
LIN Yu-tang calligraphic aesthetics artistic conception spirit prosody nature
分类号:
B83
DOI:
10.13603/j.cnki.51-1621/z.2014.09.027
文献标识码:
A
摘要:
近代作家林语堂书法美学思想从“气韵”、“性灵”、“韵律”、“自然”等角度论及中国书法特征,显示其敏锐的观察力和以及对中国书法美学的精深把握。林语堂书法美学思想展示出中国书法共时性发展规律。作为近代中国书法美学的初步奠基者,林语堂书法观具备向西方介绍中国书法文化的积极意义。辩证对待林语堂书法观,有助于当代中国书法研究多向层面的展开。
Abstract:
The modern writer LIN Yu-tang made expatiation to his aesthetic calligraphic thought from perspectives of artistic conception, spirit, prosody and nature, which showed his keen insight and close mastery of Chinese calligraphic aesthetic essence. His thought showed the synchronic development rule of Chinese calligraphy. As the founder of modern Chinese calligraphic aesthetics, LIN's calligraphic view was characterized by the positive significance of introducing the Chinese calligraphic culture to the West. It is helpful to the multi-level study of Chinese calligraphy to treat his view concerning calligraphy dialectically.

参考文献/References

[1] 二十世纪书法研究丛书:文化精神篇 [M]. 上海:上海书画出版社,2008:9-15. [2] 朱立元. 美学大辞典 [M]. 上海:上海辞书出版社,2010:167. [3] 宗白华. 美学散步 [M]. 上海:上海人民出版社,2012:68. [4] 熊秉明. 中国书法理论体系:引言 [M]. 北京:人民美术出版社,2012:1. [5] 徐复观. 中国艺术精神 [M]. 沈阳:春风文艺出版社,1987:138-153. [6] 顾毅. 林语堂对中国传统书法理论的译介 [J]. 北京:中国翻译,2009(2). [7] 毛万宝. 书法美学论稿 [C]. 北京:中国文联出版社,1999:184. [8] 郑一增. 民国书论精选 [C]. 杭州:西泠印社出版社,2013:204.

备注/Memo

备注/Memo:
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更新日期/Last Update: 1900-01-01